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Kyle MacLachlan is confessing that one of his 1994 co-stars in “The Flintstones” had some excessive expectations.
“She had to have a gift every day,” the “Sex and the City” alum advised Jesse Tyler Ferguson on his “Dinner’s on Me” podcast of Elizabeth Taylor’s calls for for agreeing to be within the live-action model of the cartoon.
Ferguson interjected, “Wait, wait, stop. She had to have a gift?”
“A gift every day,” MacLachlan repeated of the late film star, “and in the dressing room, the trailer, she had to have greenery around her. And I said those are going right into my contract, my rider. A gift every day.”
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Elizabeth Taylor, proper, with Elizabeth Perkins and John Goodman in “The Flintstones.” (Universal/Getty Images)
MacLachlan gave the instance of “jewelry” as the type of present the “National Velvet” star would anticipate.
“This is secondhand now,” he added, saying he had heard the story from producer Bruce Cohen. “Bruce probably told me and said, ‘Don’t ever tell anybody that.’ I’m like too late. It’s too late.”
Taylor was well-known for her diva habits.
“She had to have a gift every day. A gift every day, and in the dressing room, the trailer, she had to have greenery around her. And I said those are going right into my contract, my rider. A gift every day.” -Kyle MacLachlan
In 2019, “NCIS” star Mark Harmon advised Stephen Colbert about his expertise working with Taylor on the 1989 TV film “Sweet Bird of Youth.”
Harmon advised Colbert that Taylor had it in her contract that she would solely work eight-hour days on the set of the film. Film shoots generally require greater than 12-hour days.
Richard Burton and Elizabeth Taylor in 1963’s “Cleopatra.” (API/GAMMA/Gamma-Rapho through Getty Images)
“She’d arrive in the morning, and she was in wardrobe and made up, and she’d get out of her car and she was ready to work. And then she had a woman that would come on the stage at eight hours, and she’d just go like this,” he pointed to his watch, making an aggravated face, “and wherever we were she’d stand up and go, ‘Goodnight!’ and be gone. And then we’d work for another six hours.”
He mentioned as a result of of that, he needed to do all of his closeup pictures for the primary week with a stand-in, “which is hard because it’s a nice person but it’s not an actor.”
However, he mentioned one night Taylor was nonetheless on set two hours after she was meant to go away.
“Everybody knows it,” he mentioned, including that she was sitting on a sofa with him standing behind her because the grips moved the lights round to arrange for the subsequent shot.
Kyle MacLachlan claimed that Elizabeth Taylor required a present every day on the set of “The Flintstones.” (Mat Hayward/Getty Images for iHeartRadio)
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“In a voice about this loud, she says, ‘All I have to say,’ and everybody stops. And she waits until it’s dead silent. And she said, ‘is today I have been here two hours longer than I’m supposed to have been.’ I’m standing behind her and I go ‘Hey, Elizabeth, All I gotta say is welcome to the f—ing club.’”
He advised her he was not “pitching any grief,” simply explaining that after she goes house they “work another eight hours and we’re never going to get this done.”
Without responding to him, she left, and he mentioned he anticipated to be fired. However, he mentioned when she got here again the subsequent day, she labored every hour that everybody else did on the film.
A good friend of Princess Margaret touched on one other memorable second from Taylor in PBS’ 2019 documentary “Margaret: Rebel Princess,” recalling that Taylor and her husband Richard Burton had been invited to a ceremonial dinner in Los Angeles with Margaret throughout her North American tour in 1965.
Princess Margaret, proper, meets with Elizabeth Taylor in London in 1967. Taylor as soon as left a Los Angeles ceremonial dinner earlier than Margaret arrived in 1965 as a result of she felt she was not seated shut sufficient to the princess, in line with a documentary. (Douglas Miller/Keystone/Hulton Archive/Getty Images)
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However, when Taylor and Burton realized they weren’t seated on the head desk with the princess and had been unceremoniously near the kitchen, they received offended and left earlier than Margaret arrived.
The seating preparations “did not sit well with Elizabeth and Richard,” a good friend of Margaret’s mentioned within the documentary, in line with Vanity Fair. “Everywhere they went, they were the most important people in the room. And here they were not the most important people in the room. So they up and left. And they left before the princess got there. And they didn’t come back.”
“The Flintstones” marked Taylor’s remaining movie, though she continued to do TV and the TV film “These Old Broads” in 2001.
In “The Flintstones,” Taylor performed Wilma Flintstone’s mom, Pearl Slaghoople.
Elizabeth Taylor pictured in 2007. (Getty Images)
After her loss of life in 2011, “The Flintstones” producer Bruce Cohen advised The Hollywood Reporter “The moment she said yes, we wanted to make it a special experience for her. Lavender was her favorite color, so we made lavender stairs up to her trailer, and we filled the trailer with lavender flowers for her first day of work. I had also been told it was a tradition that you gave her lavish gifts for the first day of production, so we wanted to do that as well.”
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Cohen mentioned when he went to her home for a wardrobe becoming earlier than manufacturing began, she whispered to him, “‘Darling, you know that I like gifts on the first day of photography.’ I said, ‘Yes, I’ve heard of this tradition.’ And then she whispered, ‘I like Cartier, darling.’ We didn’t have an Elizabeth Taylor gift allotment in the budget, so I went to Mr. Spielberg, who was the executive producer, and I said, ‘Steven, I need you to write me a personal check so I can go shopping for Elizabeth Taylor.’ He loved that idea and understood why we couldn’t put it in the budget.”
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