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A movie season that features two James Bond films has include set off warnings as a consequence of “outdated” language and stereotypes.
One 12 months after Ian Fleming’s 007 books have been revised to omit offensive references, cautions are being made about two Bond outings as a part of the British Film Institute’s (BFI) retrospective John Barry: Soundtracking Bond and Beyond, which locations the highlight on the options the composer scored.
The disclaimer has been issued on behalf of all films featured in the season, with these shopping for tickets being warned that they “contain language, images or other content that reflect views prevalent in its time, but will cause offence today (as they did then)”.
BFI’s web site reads: “The titles are included here for historical, cultural or aesthetic reasons and these views are in no way endorsed by the BFI or its partners.”
The season’s films embody Sean Connery’s Bond films Goldfinger (1964) and You Only Live Twice (1967), the latter of which has a further standalone disclaimer warning of “outdated racial stereotypes”.
Other films which have been programmed as a part of the Barry season embody The Ipcress File (1965), starring Michael Caine, in addition to Best Picture winner Midnight Cowboy (1969), which the BFI notes options “homophobic language and sexual violence”.
Meanwhile, Petulia, the 1968 drama starring Julie Christie and George C Scott, has a set off warning for scenes of “domestic violence”.
The Independent has contacted the BFI for remark, however a spokesperson informed The Guardian: “As a cultural charity with responsibility for the preservation of film and moving image work and presenting it to audiences, we continuously face and deal with challenges presented by the history of film and television programmes and how they reflect views prevalent to their time.
“Whilst we have a responsibility to preserve films as close to their contemporaneous accuracy as possible, even where they contain language or depiction which we categorically reject, we also have a responsibility in how we present them to our audiences. The trigger warnings/content warnings that we provide in all of our exhibition spaces and online platforms act as guidance that a film or work reflects views of the time in which they were made and which may cause offence.
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Sean Connery and Honor Blackman in ‘Goldfinger’
(Eon productions)
“We continuously review our processes around the presentation of film and moving image work to make improvements and support audience trust. We listen to customer feedback and also continue to work closely with the BBFC and their classifications to give appropriate guidance. This work is by its nature on-going.”
This will not be the primary time Bond has obtained the set off warning therapy. In February 2023, it was introduced that creator Ian Fleming’s 007 books had been revised to omit racist language and a lot of racial references.
In a press release posted to the Ian Fleming web site on Tuesday, his property wrote that the choice to rewrite the novels was made with “guidance from the author himself”, citing Fleming’s earlier ideas on making such revisions.
Modern day reprints of Fleming’s Bond novels now include a disclaimer stating: “This book was written at a time when terms and attitudes which might be considered offensive by modern readers were commonplace.
“A number of updates have been made in this edition, while keeping as close as possible to the original text and the period in which it is set.”
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